Joe Ricii
Forum Replies Created
-
Sorry I meant what AME settings do you recommend? The video doesn’t says what settings to use for converting.
-
What AME do you recommend?
-
I am actually matching the sequence to the low res proxy 384 x 216 and then replacing footage and copying and pasting into a full res sequence. But when I have to make changes I have to go back to the low res timline and do the whole process over again.
Not sure if I am expecting too much from my hardware or should I be going raid, more drives, bigger videocard etc.
Adobe tech support was worthless. The guy I spoke didn’t even know you can do more than 4 cams on CS6.
I would be interested in your workflow or any suggestions you have.
Thanks Alex.
-
Premiere Pro CS6
I am PC i7 2600 16gb ram 4gb nvidia card. I am running a 7200 wd drive for my all my source media and have seperated my disk cache media cache on another drive. All internals. Playback resolution is at 1/4. I would set it to even less if I could.
I have been able to stream 9 fairly smothly in Apple Pro Res Proxies codecs (and native 5d files)but need to stream 17 clips. Thats when streams start slowing down after the first 3 seconds of play. I have also tried UT YUV422 codec at 1920 x 1080 and 768 x 432, Same thing on 17 streams.
The only thing hat seems to work is bringing the resolution down to 384 x 216. But at that low res, I can’t tell if the cameras are even in focus.Am I missing something?
-
Thank you. I figured it out just prior to reading your response.
The only thing I’m trying to figure out now is what is the best codec to transcode the files while being able to stream 8 cameras simutanously. The only codec that seems to work is the NTSC half 360 x 180. But the resolution is so bad when editing that you can’t even see if the cameras are in focus.
-
That method, which I have been doing for years, does not work with a multicam setup.
Even if you create a new hd sequence, when you copy the “multicam” sequence, which is similar to a nested sequence, into the new hd sequence, it still reference the old sequence settings, even thought the clips have been replace with the hd clips.
One solution, I believe, is to be able to change the existing sequence settings to hd settings. Apparently, Premeire seems to be the only NLE that does not allow you change existing sequence settings.
So what is the proper work flow for multicam editing that involves proxy and replace footage method?
-
Sorry that should have read “replace footage”.
-
And how would I create the effect of the propeller spinning?
John
-
What about autodesk?