Forum Replies Created

  • Joe Espina

    November 20, 2008 at 1:16 am in reply to: Final Cut Pro and Long Format TV

    “In FCP go Audio/Video settings->Device Control Presets tab and you’ll see a list of all your presets. One of the settings is Playback offset and you can use this to adjust the timing if everything is hooked up right but you are still not frame accurate. Our setup here was coming in a frame late so I made a duplicate of the proper Preset and changed the default offset of 4 frames to 5 frames. Now we are dead on. ”

    Thank you Andrew. I will take that into consideration.

    Anyone here shoot on Red and finish long format? Or because the workflow is still being refined are people still staying away from it?

  • Joe Espina

    November 20, 2008 at 1:11 am in reply to: Final Cut Pro and Long Format TV

    Thank you Mark and thank you all for that matter. Sorry for not responding til now…our internet has been down all day.

    > do you have a waveform/vectorscope? Closed caption inserter? Hardware legalizer? These are the things that professionals rely upon to get the job done.

    Waveform/vectorscopes are in the budget, Close captioning we probably do out of house – but I get what youre saying. Don’t go cheap on the equipment.

    I came in to this situation with Blackmagic Cards, (wasn’t too thrilled about it) so I’d like to maybe pitch to my bosses the Kona Card solution

    For the most part our setup is pretty basic. I’m pushing to build on more sophisticated equipment as we pick up more speed and projects.

  • Joe Espina

    November 19, 2008 at 2:30 am in reply to: Final Cut Pro and Long Format TV

    Hey Walter,

    Why is Kona 3 a must? What makes this card better than the Black Magic Decklinks?

    I’ve only known Black Magic since I’ve switched over from Avid Adrenaline to work here.

    I’m curious to know also what steps need to be taken to make sure Tapes are being laid of frame accurate

    Thanks Walter,
    Joe

  • Joe Espina

    November 19, 2008 at 12:46 am in reply to: Final Cut Pro and Long Format TV

    Guys,

    Thank you for your responses.

    We are geared Blackmagic here Decklink HD Pro here and I’m pretty sure boss man wants to keep these cards. Any heads up on these?

    As far as frame accuracy in laying off from Final Cut, what steps need to be done to make sure I hit on every frame I intend to start on? Frequency Settings, Reference, HD Sync.

    Sorry if this is too broad of a question guys. I’m quoting out components I need right now and I just want to make sure I know what I’m asking.

    Thanks again, much appreciated.

    Joe E.

  • Joe Espina

    November 12, 2008 at 10:43 pm in reply to: P2 Card reader

    Backup meaning….just in case im out of the office, we have another option.

    I just ordered this:
    https://www.duel-systemsadapters.com/?productid=DP-0001

  • Joe Espina

    November 12, 2008 at 9:23 pm in reply to: P2 Card reader

    Hey Shane,

    Thank you! As a backup what do you think about the Dual Systems reader or is there a solution that is 100-200 range?

    Bringing in 1 to 2 hour tops and don’t see the need for the big p2 store units

    – Joe

  • Joe Espina

    October 24, 2008 at 5:57 pm in reply to: After Effects Rendering problem

    Footage:
    DVCProHD 720p

    Rendering After Effects to Quicktime – Standard Def:

    No color management

    Rendering to Xsan:
    2.17TB avail

    I’m thinking it may be the 6600 GeForce card as the other macs that have the 7300 card seem to be giving us an image that looks great.

    – 6600 seems to be crushing the blacks

    I also blew out the machine with a can of compressed air just now so I will monitor the performance from here on out

    What do you think Darby?

    – Joe

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