[Jennifer Corvino]

Thanks Ronny,
I did try naming the angles with no luck!? That’s when I posted on the forum. I did a bit more experimenting and here’s what I found out.

Hopefully this can help someone else*
We were working in a very large church, and separated our three 60D’s out to the Left, Right, and Front of the church while our Master shot was at the very back. The Left and Right 60D’s picked up a lot of crowd noise and echo and not much at all of the speaking portions.

Furthermore, we were shooting a very loooong Wedding at full 1080p. Since the canon 60D will only record in 4gig /12min clips, FCPX couldn’t differentiate between the different prayers, readings, and songs, est. . . .

However, I’d split the Left/Right Audio channels on the Master cam to:
Ch1: Wireless Groom’s Microphone, and Ch2: an On camera shotgun mic. (as a backup)

The very clean audio of the Grooms Mic added to FCPX’s confusion, the shotgun mic saved us! By muting the Grooms mic, while the angles were syncing I was able to get most of the clips to properly sync in order. The rest I had to do the old fashioned way.