Jason Jenkins
Forum Replies Created
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Thanks Jeremy! I exported it via compressor to the DVCProHD preset and it looks beautiful. No luma or chroma shifts this time. Sweeeet!
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I haven’t used this one, but I’m really impressed by what I see on their website: advantajib
You need to watch the videos to really see what you get for the price.
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Are you looking for a portable jib, or will this live in a studio? What kind of height do you need. Do you need remote pan and tilt control?
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What’s your budget for the jib? I can tell you about some higher-end jibs, but it might not be applicable.
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[Richard Harrington] “Have you called AJA… tech support is included with their hardware….”
That’s brilliant! I’ll try that on Monday.
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If you are going to be hiking around on some mountain top, P2 makes more sense since it’s enclosed in the camera and requires no additional power to operate.
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Small project with about 10 min worth of footage. Yes, I’ve trashed the prefs a couple of times!
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Okay, maybe not. It’s back to it’s old tricks. It’s tough trying to edit when you have to wait 5-15 seconds every time you want to play a clip. I tried playing musical cards with the PCIe slots, but still no joy.
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I changed to a different PCI Express Profile in the Expansion Slot Utility and it seems to have resolved the issue.
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A couple of years ago I decided it would be good for me to get Apple Pro Certified on FCP. The majority of the job postings I saw were for FCP editors. I had never touched it before, but I spent a week learning it and got my certification. I put it on my resume and shortly thereafter got a gig subbing for a FCP editor at an ad agency. A few months later they switched over to Matrox Axio systems running Premiere. I had cut a few things on Premiere, so the transition wasn’t bad. I’m still freelancing there to this day. I guess my point is that anything that gives you options is good. I’m running a Mac Pro with both Premiere and FCP, so I can go whichever way the wind blows.