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  • opt+cmd+down arrow or Edit Menu -> Overwrite to Primary Storyline. BTW FCP X has a great manual under the Help Menu.

  • Jari Innanen

    May 23, 2014 at 10:03 pm in reply to: FCP X memory leak?

    Any 3rd party plugins involved?

  • You can also get an extra level adjustment by opening the clip in its own timeline.

  • All fine here with my rMBP. Had to use alt-key in display prefs for my HP Dreamcolor to change the res back to 1080p to use it as my third monitor and full screen output for FCP X through the HDMI port.

  • Jari Innanen

    April 16, 2014 at 3:58 pm in reply to: Monitoring out with new Mac Pro?

    I use straight HDMI out as a third monitor on my rMBP. From the FCPX 10.1. manual:

    View playback on an external monitor using HDMI
    If you’re using Final Cut Pro 10.1 or later on a 4K-capable Mac with an HDMI port, you can play 4K or HD 1080 video on an external video monitor connected to the HDMI port.
    For a list of compatible Mac computers, go to https://support.apple.com/kb/HT6057.
    1 Use an HDMI cable to connect the external (HDMI) video monitor to the HDMI port on your Mac,
    and make sure the monitor is connected to power and turned on.
    2 To configure the HDMI monitor, choose Apple menu > System Preferences, and click Displays.
    3 In Displays preferences, set the HDMI monitor to be a secondary display.
    4 Select Scaled, and in the list that appears, select 4096 x 2160, 3840 x 2160, 1080i, or 1080p.
    Note: You may need to press the Option key while you click Scaled to see additional resolutions for the HDMI monitor.
    5 To select the monitor in Final Cut Pro, choose Final Cut Pro > Preferences (or press Command- Comma), click Playback, and choose the HDMI monitor from the A/V Output pop-up menu.
    6 In Final Cut Pro, choose Window > A/V Output.
    The Viewer contents appear on the HDMI monitor. Viewer features (such as onscreen controls
    and the title-safe and action-safe overlays) can be viewed only in Final Cut Pro. Note: Video and audio are synced at the video frame (not audio sample) level.

  • Jari Innanen

    April 4, 2014 at 3:58 pm in reply to: Cool new Adobe stuff to debate…

    [Bret Williams] “I think I’d rather have it get higher when it goes faster. I’ve always found that to be more understandable than the choppy sampled sound. I never thought of this as a benefit or a feature. I always thought they were too cheap to make it change pitch when you sped it up. Go figure.”

    Bret I hope you’re just kidding! That is a killer feature in X and huge time saver, but obviously not in your workflow.

  • Jari Innanen

    March 28, 2014 at 12:39 pm in reply to: Miaow…

    [Jeremy Garchow] “Also, not being able to slip audio separate from video is a pain, especially if that clip is a connected clip.”

    You can easily slip audio separately with “Open in Timeline”-command.

  • Jari Innanen

    February 25, 2014 at 8:06 pm in reply to: Loudness and broadcast

    The standalone LoudnessChange does the same as CalmAct filter does, but you have to mix the master first. There you need the Loudness Meter.

  • Jari Innanen

    February 25, 2014 at 6:09 pm in reply to: Loudness and broadcast

    Pam, make your spot project a Compound clip and then apply a loudness meter to that “master channel”. I use VisLM by Nugen Audio and am very pleased with it. Just make sure the meter plugin is AU compatible.

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