[Jared Radtke]

I did expect to shoot through the windshield with a roof or at least wall of solids to cut reflections along with a pola filter to fight any residual tint. In the worst cast scenario, because it’s a static shot I could do a color correct masked to the windshield shape to compensate for tint. Again, with a flat-toned look, I doubt this will cause alarm.

[Jared Radtke]

Thanks for the prompt responses guys!

I had a feeling you might say the things you did. I was talking to a rental house in Chicago about renting the camera truck with the geni as well as the crew and rigging required (I certainly wont be touching it, haha!). Just to keep everyone up to speed, It is a day shoot – preferably a cloudy day – and the kinos I was thinking of were the large 4x banks they use most often to light green screens, not the small in-car moody style ones (I know what you mean by them). I was hoping this could cut some costs by loosing the rigging used to diffuse the HMI’s but it seems that I’ll be lacking photons inside the car.

Either way, thanks for the info, it helped a lot!

P.S. this car shot was likely only going to be one head-on exterior from the front of the car looking in… supposed to have a staged play-like feel to it with awkward, exaggerated acting.

Thanks again!!