Forum Replies Created

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  • [Tony Brittan] “Have you tried Magic Bullet Looks? Works awesome in Legacy and X!”

    Feeling a bit embarrassed, I just noticed that most of the Colorista functionality is in Looks. And Kosmo gives me the pop as a secondary functionality I need.

    If only they had a keyed secondary as an option in MB Looks…

  • [Dave Jenkins] “I’m trying to find this in FCP X (trim to zero) I can’t find any mention of anything like this in the manual.”

    Only works with the trim tool as far as I can tell.

  • [Bret Williams] “A most bizarre feature- trim to zero. You can trim a clip back until it disappears. Me, I’d just delete or ripple delete it. Weird feature. If I saw that I’d think its a bug.”

    FCPX has this feature as well. I thought it was odd at first. But now use it every once in awhile when I want to keep the same program duration.

  • James Culbertson

    April 19, 2013 at 4:41 am in reply to: QuickTips: When Title Fonts Go Missing & FCP X

    [T. Payton] “Since I made that project a year ago I have gotten in the habit of creating a Compound Clip that store project notes and put it in its own Keyword Collection in case I do have a missing font. Like this:”

    Any reason not to use the notes field (as an alternative) in the Project library, properties tab, for this kind of archival info?

  • James Culbertson

    April 18, 2013 at 5:08 pm in reply to: Expression: forcing decimals on even integers?

    That works! Really appreciate it. I was starting to get obsessed…

  • James Culbertson

    April 18, 2013 at 4:53 pm in reply to: Expression: forcing decimals on even integers?

    Now I am getting a short spinning beachball, and then the AE expression warning: Timeout while waiting for the engine. Expression disabled.

    Error occurred at line 12.

  • James Culbertson

    April 18, 2013 at 4:40 pm in reply to: Expression: forcing decimals on even integers?

    Thanks Walter. Your expression is the closest yet I have found. But when the number is between 0 and -1 I see things like -0-.43 and -0.-1

    Seems like the negative sign creates issues for many of the expression variations I have played with… not sure why this is.

  • James Culbertson

    April 12, 2013 at 5:53 pm in reply to: My NAB Show takeaways on Apple, Adobe & Avid

    [Marcus Moore] “FCPX isn’t explicitly for any market. Just like Premier or AVID, it’s constrained purely by it’s current feature set. Premier’s announced update will allow it to be used where it couldn’t before. And FCPX’s use cases will similarly expand as the software matures. It’s as simple as that.”

    Exactly. We have an evolving NLE market that will be guided by personal preference much more than in the past. That seems to me to be a good thing. Having one NLE dominate the market isn’t good for anyone.

  • James Culbertson

    April 12, 2013 at 4:03 pm in reply to: My NAB Show takeaways on Apple, Adobe & Avid

    It does appear that Premiere has caught up with FCP7 which is a good development. Time to finally put in some time learning Premiere as I assume I will start getting requests for it at some point in the future.

    On the other hand, our local PBS affiliate just put out a call for someone to train the whole staff in FCPX.

    Interesting times.

  • [Brent Cook] “I don’t quite get that. If I was thinking of using PP (which I am) I would go to the PP forum for my PP information (which I do). Do people who are thinking of using it require different information from those who are already using it? I would think the best place to get info would be from those who are already putting it through its paces, rather from other people like me who are interested but don’t have much first hand experience.”

    Yes, if you were actually looking for Premiere info it would be logical to go the Premiere forum. This forum is for those folks who are still resistant to the fact that a lot of editors are using FCPX for Pro work (and that for better or worse we will be living in a fractured NLE world for a long time),… and there are a good number of lookyloos like me that can’t turn away from the spectacle of it all.

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