Ivan Myles
Forum Replies Created
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Enable frame blending.
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I think the problem is trying to upscale from 240 to 1080. How does the watermark look at 100%?
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Expand the layer properties, select Transform, and adjust either the Anchor Point or Position.
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What about setting the Position coordinates to center the tracked object?
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DPX, but file size will be very large. ProRes 4:4:4 generates smaller files with very good quality. If you are ultimately exporting to H.264 ProRes 4:2:2 is fine.
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Assuming you aren’t creating preview files, what you see on the monitor within Premiere Pro is an uncompressed, fully subsampled (4:4:4), RGB representation of the clips with effects applied. A ProRes master file would have 4:2:2 or 4:4:4 sub-sampling with low compression. When exporting to H.264 the video gets reconfigured to high compression 4:2:0 Y’CbCr.
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What part of the clip do you find to be problematic? The tracking looks OK. The flame is a little stiff near the end, but I’m not sure a casual observer would notice.
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I think I understand what you mean, but I am unaware of a shortcut; others are welcome to respond.
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Maximum quality is achieved when you edit the source files. However,
1) The difference in quality should be visually undetectable.
2) If the source files are H.264 or other highly compressed codec, it might take longer to render the edited sequence from H.264 compared to rendering from ProRes files.
3) If color correction is performed with a different application you should export using a low compression intermediate codec (like ProRes) for grading, or use a Dynamic Link between Premiere Pro and another Adobe app. -
Scale the 4k clips when inserted into the 2k sequence.