[Ivan Castell]

Hi Dwaine,

I didn’t know that. I’m new to Davinci Resolve (I use Apple Color). I have a warning message when launching Resolve Lite about the hardware GPU not being capable of realtime performance, but the app launch and I can use it. I have an ATI HD 4850.

Ok, so even if I attach from the DP to the HDLink Pro (via the HDMI to SDI miniconverter), there’s no way of getting a broadcast signal (even a 8-bit) from the displayport on my imac with BM products? Damn, I can’t then use Resolve.

Indie filmmaker
https://ivancastell.org

[Ivan Castell]

I guess I’ll have to deal with the 8-bit output on the iMac.

Thanks for the info Robert!

Indie filmmaker
https://ivancastell.org

[Ivan Castell]

Thanks for the answer.

So, even if these connections works, the OSX system can’t output to 10-bit from the imac card, only 8-bit, right?

Indie filmmaker
https://ivancastell.org

[Ivan Castell]

I’ve finally found a way to get a list of used clips in a sequence with the source path location, all within FCP.

1) Select in the browser the sequence.
2) Go to Edit>Find
and you have to choose
For: “Used Media” and check “in selected sequences”.
Launch the search and you’ll get a list of the used media in the project.
3) Right-click on any column of the “Find results” window and select “Show source”. It’ll display the media location full path. You can also hide other columns if you don’t need them.
4) Go to File>Export>Batch List

You’ll have a text file with name and source path to all used media in the selected sequence! 🙂

Indie filmmaker
https://ivancastell.org

[Ivan Castell]

@Mark, thanks I’ll definetly take a look at that tool because I think it does what I want.

@Rafael. I know I can use the FC media manager to archive or reduce the project to only the clips used, and even convert them to another flavor of Prores. But I only can use it AFAIK, in step 4, to archive it. I could use the FCs manager to transcode to ProresLT or proxy, edit and then archive but replacing used clips with ProresHQ. But I’ll miss the superior quality of the 5DtoRGB conversion to Prores.

Indie filmmaker
https://ivancastell.org

[Ivan Castell]

Dave,

Thanks for the info. Is there any example out there of this kind of rigs? Lately we’re doing a lot of product reviews, so it’ll be great to build one of this.

Indie filmmaker
https://ivancastell.org

[Ivan Castell]

Ok, I think the problem is related to the perspective and shear data not being transfered to AE, so the screen is not properly “corrected” (it has changes in perspective). I could do a corner pin to use this data, but we are touching the screen with the finger, and I’ll have to rotoscope…

Indie filmmaker
https://ivancastell.org