[Harry Monck]

for what it’s worth;
i’ve had my DP6 (sdi version) for 3 months and i love it! since i use it on all different cameras via the HD-SDI, SD-SDI, composite and HDMI inputs, depending on model i find the ability to resize the image and store as a preset really handy – for example a Sony PDW800 will output HDSDI (full image) but a Sony DSR570 will output an SD composite signal that for some reason appears over-scanned on most LCD monitors, but the DP6’s image can be custom scaled to a full under-scanned image and the setting saved.
also, with DSLRs like the 5D2 there is already a preset re-scale to overcome the camera’s output limitations.
the image really is pin-sharp. the peaking is very useful. waveform would be nice but only really necessary if you’re using a DSLR since you need to expose like a stills cam (ETTR) – what you see isn’t necessarily what you get with those cams! but they have onboard histograms anyway.
a dedicated video cam ‘s monitor out is a lot more faithful in terms of exposure.

the downsides are that the screen is quite delicate so a screen guard is a MUST, and it’s not trans-reflective so if you do a lot of outdoor shooting think about a hood too (overcast days are fine but bright sunlight are a challenge, not surprisingly)

the guy’s at SmallHD are really helpful too and are quick to reply to any questions or problems (maybe because they’re still a small company – i wonder if that’ll change as they get bigger?)

overall i think the DP6 is a great bit of kit that i take on every job.