Forum Replies Created

Page 65 of 144
  • Graeme Nattress

    November 17, 2005 at 6:16 pm in reply to: DVCAM 16:9 image degradation

    The PD-150 is a 4:3 camera. It does not do 16:9 at all, it just basically crops the 4:3 image down and then blows it up, making a mess in the process. You’re far better off shooting 4:3 and cropping in post. Basically, nothing really can fix the mess Sony makes, other than using that famous “reshoot” filter. Sorry.

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    November 17, 2005 at 4:23 pm in reply to: Error installing Final Cut Pro 4.5

    FCP doesn’t come on a DMG disk image though. There’s no image to mount. If you can’t install FCP 4.5 perhaps you need to speak to Apple.

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    November 16, 2005 at 8:55 pm in reply to: More HVX200 info

    It’s an analogue device that’s also a sampling based system, in that it has discrete photosites. It’s not analogue in the sense of a tube camera, or digital in the sense of CMOS – somewhere inbetween….

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    November 16, 2005 at 3:06 pm in reply to: More HVX200 info

    Thanks for the info. Although the way I read it, with it’s “wide pixels” is something like 1280×720 with pixelshift in the DSP to 1280×1080, and then downconvert to 1080i, 720p etc. Perhaps. I don’t know.

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    November 16, 2005 at 3:02 pm in reply to: JVC GY-100HD cam and FCP5

    http://www.lumierehd.com

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    November 16, 2005 at 3:01 pm in reply to: why purchase Kona 2 instead of Decklink?

    Bob, that’s a very balanced post! Thanks!

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    November 16, 2005 at 2:51 pm in reply to: why purchase Kona 2 instead of Decklink?

    “If you plan to run Final Cut Pro (Mac Only) then the Kona 2 is the only card you should consider. ” Other than the Decklink of course, which is also an excellent card.

    I’m a Decklink user. I like their products. I bought my Decklink full price from a dealer, like everyone else. I’m not in their pay. I don’t get special treatment from them, just very good service when needed. However, I won’t ever say that Decklink are the only game in town, the only card worth considering. That’s because AJA make good products too. Competition is good. I happen to prefer the Decklinks, and I certainly prefer their lower prices. I know you have issues with the Decklink, but that’s no reason to completely dismiss it out of hand like that. I will recommend the Kona2 to people who need that one particular feature it has which the Decklink lacks, and as long as they’re not running really long SDI cables, they’ll be fine. However, for everyone else, the Decklinks work, are cheaper, and don’t have issues with long cables.

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    November 16, 2005 at 12:12 am in reply to: why purchase Kona 2 instead of Decklink?

    Blackmagic aren’t the first people to take a bit of time to get a product to market…..

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    November 15, 2005 at 11:58 pm in reply to: PAL Washed Out?

    I guess both the DVD player and FCP must alter Y’CbCr video in a 2.5 gamma to play properly on an RGB monitor with 1.8 gamma. I think they both do it a little differently that’s all.

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

  • Graeme Nattress

    November 15, 2005 at 11:45 pm in reply to: PAL Washed Out?

    FCP lies to you in it’s monitor. You must view on a PAL monitor, or you’re not seeing it right.

    Graeme

    – http://www.nattress.com – Film Effects and Standards Conversion for FCP

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