Forum Replies Created

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  • Gedits

    April 5, 2007 at 7:49 pm in reply to: FCP 10-bit capture problem

    Write: 92.6 MB/s
    Read: 126.6 MB/s

  • Gedits

    April 5, 2007 at 7:02 pm in reply to: FCP 10-bit capture problem

    It’s a 14X500gig RAID (two 7drive sides). It’s almost 1 year old. I believe it was setup as RAID 5, and not RAID 1. I have two drives that mount to my desktop. I’m not sure on the latest firmware, I’m waiting for an answer from my IT department. I’ll look into the CACHE flushing.

  • Gedits

    April 5, 2007 at 6:54 pm in reply to: FCP 10-bit capture problem

    I did the test with thses options:

    -Disk Read/Write
    -File Size of 4 GB
    -Video Frame Size of 10-bit
    -Disable file system cache “checked”
    -Simultaneous KONA DMA “unchecked”

    How do I read the results? What’s good/What’s bad? Should I post the text results? Thanks for your help.

  • Gedits

    April 5, 2007 at 6:39 pm in reply to: FCP 10-bit capture problem

    Thanks. I’ll try the test and post back.

  • Gedits

    April 5, 2007 at 6:37 pm in reply to: HDCAM tape capture problem

    Not so much, that thread is talking more about progressive frame issues. I’m running into the problem capturing 1080i 10-bit or 8-bit. Both formats in FCP are jerky in my timelines, even when they get downconverted. Thanks though.

  • Gedits

    March 29, 2007 at 1:18 am in reply to: Key Frame Crazy!

    Fixed it. All my key frames were highlighting at once, so when I changed a value it was nudging them all. I totally over looked this.

  • Gedits

    March 23, 2007 at 6:13 pm in reply to: TIme to Pull a Key?

    I have been starting to see zebra lines in highlights as I walk down the street. Next will be an iris control knob on my temple. That aside, the one time I ran into an RGB/YUV issue, was when I did some garbage matte compositing in FCP using some effected AE footage. I could see a color difference between the two matching backgrounds. I’ll keep the compositing jobs in After Effects and try not to mess with the RGB/YUV to much. Thanks.

  • Gedits

    March 23, 2007 at 5:23 pm in reply to: TIme to Pull a Key?

    I see. Do you know if the DVCPRO HD codec is natively YUV or RGB? I’m guessing YUV, because if I pull the captured clip directly into AE I need to expand the 601 luminance to make the footage appear correct. If it is YUV, at which step do I make it RGB? Thanks again.

  • Gedits

    March 23, 2007 at 3:55 pm in reply to: TIme to Pull a Key?

    Thanks. So, I should pretty much just import my footage, place it in a DVCPRO HD/RGB sequence, render it, and export it as a not self contained reference movie? Will After Effects recognize the YUV to RGB change in the reference movie? I didn’t know about this Automatic Duck software, it appears to make things a lot easier. Thanks again.

    “I look forward to the day I’m keying with a 2/3 chip camera”

  • Gedits

    March 5, 2007 at 10:28 pm in reply to: Video for Windows Codec?

    It looks like I have the free version of flip4mac on my computer. I opened the straight (unmatted) quicktime file and exported it as a .avi “none”/millions+. If this doesn’t work I’ll have to buy one of the pro flip4mac products. Too bad it’s such a circus. Should I just go for the $179.00 product? I do work in HD quite a bit? Thanks.

    still trying…

    gedits

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