[Gary Huff]

[Steve Connor] “Isn’t it OSX ‘Dre” now?”

Well, he is a doctor.

[Gary Huff]

[Oliver Peters] “Maybe so, but Apple routinely moves engineers around at crunch time.”

OSX El Capitan requires lots of attention.

[Gary Huff]

[Shane Ross] “”it could happen?” Pu-lease! Apple COULD stop making iPhoto too…but it’s highly unlikely.”

But hey, it puts him on an even keel with a lot of others around here…

[Gary Huff]

I never consult the documentation, haven’t in years. Much faster to google search what you are looking for. Like Craig mentioned, if often just gives a blurb with not much depth, but this was a problem with documentation for a long time before I stopped using it…one of the reasons I started turning more and more to google.

[Gary Huff]

[Mansur Oscar] “Gary Huff, isn’t 30p and 25p lag movement? (non real life?), I have my old sony camcorder 8mm, they’re 50i and it’s real life like. The Aljazeera HD should be 50i or 50p, (sorry to say 60i, maybe in USA 60i)”

Lag movement? Never heard that before. It has more to do with motion blur. The less, the more life-like it looks.

60i and 60p are different. 60i looks like crap on anything but a television screen, especially streaming onto a computer monitor. 60i is really 29.97.

[Gary Huff]

[Mansur Oscar] “Aljazeera HD is 60 frames (you can easily know by the people movement)”

I highly doubt that it’s 60p, more likely 30p. I have yet to encounter a streaming service (YouTube or Vimeo for instance) that allowed 60p content. They all accept 60p content, but when you watch the stream, it will have been converted to 30p.

[Gary Huff]

[Mansur Oscar] “The problems of 30 frames aren’t real life (look) like on 60Hz TVs (only I’m not sure about OLED TVs), but on 120Hz TVs it make the video double the 60Hz refresh rate, which makes the 30 frames look like the 60 frames which is looks real life, but later I saw the 120Hz aren’t good idea, so I have to find a solutio”

Well, here’s a problem: how are you going to get these high-speed framerates on TV? Blu-ray only supports 720p60, and a lot of streaming services do not allow over 30fps. How are you planning to show your high frame rate content?

[Gary Huff]

I am confused here. The C300 doesn’t have a “slo-mo” mode., it shoots 1280×720 60p which y have to conform into slow motion in the exact same way you would do so with the 7D or 1DC. Something tells me you have screwed up the clips in the conversion process to ProRes.

Frankly, you should not be using PavTube. I doesn’t strike me as a reliable way to deal with footage from a pro editing codec. Install the Canon plugin for XF in FCP and use it to inject your footage.

[Gary Huff]

[Mark Raudonis] “I thought it was well shot, edited and effective.”

Really? Because it played itself out after the first 20 seconds and got really boring really quick.

[Gary Huff]

[Mark Raudonis] “I applaud the creator”

Any creator? Even if it’s crap?