hohoho…. thanks for all comment..:D
“don’t forget polarized lenses, you’ll get a few extra stops.”
what do you mean by polarized lenses? is it some kind of special lenses?
and,
“You can still contrast the heck out of images. example: cowboys vs aliens. It’s not the contrast that gets you. It’s dv’s encoding that enhances edges with dark black lines. although you’re right to some extent, if the video has a sharp cutoff to white, it’s going to scream video. you can steal some of the curve with a gradual decay to white.”
how to do that? 😀
and, how bout the contrast ratio on location is more than the camera dynamic range could handle?
Let say (exterior scene) the sun light that fall off to the building far behind the actor is too strong, then we don’t have enough light to lit the actor? becoz if sometimes I underexposed the shot, while in post, i dial back the black up, I need to struggle with noise or artifact that come up. something like blocky things, which some people say becoz of DSLR chroma sub sampling is 4:2:0 not 4:2:2. Yeah here in my country the sun light is really hard, not like in europe, dimmed. 😀
oh yeah, by the way,
Do you guys got any samples that shoot on DSLR that color grade become something like maroon 5 vidclip? 😀