[Fernando Honesko]

Guys,

I’ve done some reading and there are some usefull information in this thread.
Correct me if I’m wrong, but this whole discussion has cleared some doubts about broadcast final delivering? Right?

My case is a bit different. I shoot concerts for some bands and my final delivery is internet. I work with a HDcamcorder, quite cheap but it does the job. It’s a Canon Vixia HV30.
Actually, I can set it to 3 different HD framerates.

HDV Standard (which is what I have been using – 29.97 fps)
HDV30 (30 fps)
HDV24 (24fps)

Which should be the best for my final delivery plataform? (internet)
Reminding that , although I shoot live content, a detached sense could add atmospheare to the videos.

Thanks!

[Fernando Honesko]

Thanks guys for all the hints!

I will probably be working with AE for the image sequences and export a final format for FCP.
About the whole production workflow, we did it in DSRL with higher resolution mainly because the concept of the film requested this reescaling in post-production. Basicaly, because it was impossible to control what was in the scene.

Anyway, I think that I understood what I needed for this specific moment!

Cheers

[Fernando Honesko]

Sorry the ignorance guys!

Just trying to understand:
I should then, create the image sequence in AE and then export a 1920×1080 .mov and use it to my edits in FCP?
Right?

Would it be 1080p, right?

And, secondly, a simpler way for a non AE user, would be export the Image sequence with QTime, in the right codec for the Final Cut sequence?

Did I get it? Or am I still lost?

Cheers and Thanks again!

[Fernando Honesko]

So anyway, I will have to deal with rendering all the time. Be it with the actual photos or the self-contained videos?