Erik Lindahl
Forum Replies Created
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Erik Lindahl
April 14, 2013 at 10:34 am in reply to: FCPX and dealing with “time” is driving me nuts!If we had that skimmer option in the timeline things would be better. Still a mess but much better.
At the moment the lack of a source-viewer with mini-timeline with proper TC-readouts is really a pain in certain projects.
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Erik Lindahl
April 14, 2013 at 10:32 am in reply to: FCPX and dealing with “time” is driving me nuts!I’d say a HUD is a good compliment to a fixed tool / function but is, in general, a terrible way of gathering tools and read-outs as their primary place to be. This since they don’t have a fixed position on the screen and they by nature are an “overlay” on top of other tools or info.
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Erik Lindahl
April 14, 2013 at 7:08 am in reply to: Nvidia may have taken away the need for a Mac Pro…It depends on the performance we can expect. If it’s around 16X faster than a $3 000-5 000 system than for some single-system users it’s worth $25 000. Also, this sounds like it could be a terrific add-on for large-scale Anywhere systems.
But yes, it’s use is quite “slim”. I would imagine multi-GPU Titan systems will get you a very very very long way in Premier Pro, After Effects and Resolve. And they “only” cost $1 000 a pop.
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Erik Lindahl
April 14, 2013 at 6:59 am in reply to: FCPX and dealing with “time” is driving me nuts!Having one place to show the current TC of a clip and timeline isn’t very practical. Especially not when FCPX seems to bug at time switching from event viewer to a project.
In a “classical” editing app you can easily have the sequence and source side-by-side showing exact frame matching as well as TC in, TC and TC on current frames. I guess this isn’t something that’s possible in FCPX?
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Adobe Anywhere does feel very specialized. Cool product for some but really not for “most” if I dare say it that way.
In a small 2-4 people workgroup sitting locally (which I think could be the case for a lot of smaller companies) a shared solution in-app would be far more valid. Little – if anything – has happened on that front, has it?
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Not quite. You can do minimalistic good looking and minimalistic bad looking. At least MC6 falled in to the later. How they managed to not even have anti-alised text and use the same icons our AVID had 1997 is quite impressive. I’d be very surprised if Ive was remotely close.
To some this is just “nonsense” but I reckon GUI design is really important. Part of these issues might be cross-platform related as i’ve seen similar issues in Adobes software. Text-rendering is still really poor on Windows compared to OSX and applications like Preview render PDF’s better looking than Adobe’s Illustrator or Acrobat Reader (Quartz vs cross-plattform engine I would think).
It’s similar to another thread where someone didn’t quite understand me questioning the scopes in PrPro CS6. They look terrible – doesn’t fit into the app at all in 2013.
That said – sometimes you have no options.
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Massive update. Resolve becoming more and more a finishing tool. Would be interesting to know the OpenFX performance. Is it pure CPU-based or will they encourage real time filters?
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MC6 felt like jumping back into OS9. Uggly and mildly depressing.
I never said FCPX was great. It has huge flaws on the flexibility side for sure.
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Erik Lindahl
April 8, 2013 at 10:44 am in reply to: Adobe sweetens the deal – price break on Cloud subscriptionThis seems not to be valid in Sweden, or am I wrong?
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…and maybe a GUI from the 21st century? MC7 might be better in that regard compared to MC6 and I know I got the comment “would you seriously choose your editor based on it’s GUI?!” and my answer is to a degree yes.