[Erickj]

I bought a few books on colour grading/correction/theory last year (including the title mentioned in above post) and tried reading them but very much found them a bore-fest.

A few weeks ago I came accross The DV Rebel

[Erickj]

I like the treatment used in many BBC TV series like

[Erickj]

Hey guys,

Thanks for all your responses!

Here’s a basic question: if the camera you’re using is capable of shooting 25p (they use PAL in Sydney, right?), why not just shoot 25p and be done with it?

I don’t think the Sony HVR-Z1P records 1080 50i, according to this site https://www.digitalfilmgroup.com/english/tipstricks_03.html it’s not true progressive.

If your goal is a 24fps film frame rate, let me ask you this: do you think anyone is really going to notice that one additional frame per second because you shot 25p?

The Ad will air on TV and the web, there is also a chance it will be shown at a few film festivals but we were told that they would use SD DVD (don’t ask me why).

I have a question for you.

Why deinterlace?

Footage that I’ve seen recorded on this camera looks gorgeous but it still have the motion of video, am I right is saying that?

I have read a little on the software DVFilm Maker, has anyone used this before and what are the results like?

THanks again,

Erick