Emre Tufekci s.o.a.
Forum Replies Created
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Something like this:
https://www.garrettcam.com/camsDiveCam.php
Emre Tufekci
http://www.productionpit.com -
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It could be infrared pollution, was the camera black balanced?
Emre Tufekci
http://www.productionpit.com -
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I dont know what the cost is but check out Maine workshops or the newly formed college:
https://www.mainemedia.edu/college/
https://www.mainemedia.edu/workshops/I have attended their master workshops and were very pleased with the classes.
Emre Tufekci
http://www.productionpit.com -
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Of course you know the first thing I am going to recommend is use a steadicam and get rid of the dolly. 🙂
Otherwise (w/dolly or steadicam) I would recommend the ring light around the lens. We sometimes will strip kino flo lights to bare bulb and walk right next to the operator holding them (5600K) since they are cool to the touch and use them as fill.
If it wont be obvious you can pull the fake ceiling tiles and place angled (towards talent, away from camera) soft lights (rifas w/X65 bulbs or kino’s).
The boom op can reach over the steadicam operator. (did I say you should use a steadicam?).
If you use the dolly you could additionally mount a sunbouce reflector and put a 500w for softfill?
The problem is if your key is too close and the hallway is not lit too well is dealing with the dark tunnel look. Your diagram gives the impression you might not be able to have too much separation.
Can you post some pictures of the location?
Emre Tufekci
http://www.productionpit.com -
Dont forget you have to supply insurance for your own gear and get the renter to give you documentation that also have their insurance naming you as the payee if something should happen to the gear.
Emre Tufekci
http://www.productionpit.com
