[Shane Ross] “[Rob Nairn] “How does batch capture know to transcode the files on drive rather than capture from tape?”
Because it’ll know the footage was imported via Log and Transfer opposed to captured from tape. It’s part of the metadata.”
I ran a quick test of this before I started my most recent project and it worked well (after I had to make some changes in the Audio/Video settings). Things reconnected with handles nicely.
Now I am trying to do it after picture lock and I’m having problems.
I isolated only the clips that I wanted to recapture (as this edit is mixed with HDV and full res ProRes) and went to batch capture after using media manager to create an offline sequence.
Half of the clips connected just fine… the other half refuse to.
One confusing issue is that when I try to recapture the sequence, FCP tells me that there is tape-based media mixed in with the tapeless stuff, and that it will do it first. It then complains about the A/V settings (I have the capture preset set to “Generic capture template” because that’s the only way I could get it to work before), and when i click through, FCP goes ahead and recaptures the rest of the media.
This leaves me with offline clips that are found on the SAME CARD as some of the clips that were successfully recaptured. I can’t figure it out and it is quite frustrating..
Has anyone come across this or have any ideas?
Also, I might as well double-check, where should I have my A/V settings for recapturing in a tapeless workflow?
I hope I’ve described this well enough.