Thanks for the replies. Well, after re-exporting the backgrounds in animation rather than uncompressed it gives me the same over-saturation that Motion was introducing. This at least sheds some light but can anyone explain why? Mikey I don’t have any Kona software or hardware in this system. I removed Perian in the hopes that it was affecting my output.. but alas no difference.
So in order to have consistent colours when comp’ing in Motion we need to change all of our renderings to animation? This kind of sucks to find out half way through a project when all of our work has been done in uncompressed. Why are uncompressed colours so different and is there really no way for us to match them? I don’t think After Effects or Combustion gives us this problem on the same footage but I suppose I ought to test those next.
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D. Starr // Trapeze Animation