Thanks for the reply Terence…I guess my only other question is, is this a typical workflow given my desired shooting / outputting formats, or is there another approach altogether I should be looking at? The majority of broadcast HD seems to be 1080i / 59.94, and I have to imagine most projects are shooting 23.98 for the non-video “look,” so what other workflows are really out there for this situation?
Thanks again,
Dave