David Lawrence
2
COW Coins
Forum Replies Created
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[Jeremy Garchow] “They are there, you should be overjoyed!”
I am!
Can I have tracks now? 🙂
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David Lawrence
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[Jeremy Garchow] “Unless you forget to command all before you start keywording.
Just like if you forgot to favorite before.
What I don’t know is if you select a bunch of clips in the Event, what range is selected?
Walter S is right, it’s the exact inverse of the favorite situation.”
Guess I’m in the same camp as Oliver, just don’t get what the big deal is. This is totally standard UI behavior for NLEs. If PIOPs were in the 10.0.0 release, I don’t think anyone would be complaining now.
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David Lawrence
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[Jeremy Garchow] “You have to constantly unmark the range since there’s always a range there now.
If there’s multiple ranges, then there’s multiple parts of the clip that are keyworded.
I have to see how this plays out.”
Doesn’t Command-A take care of everything?
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David Lawrence
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[Jeremy Garchow] “It looks like that the ranges that are held are limiting the range if he wants to tag a clip (not a range) with a keyword.
So he has to unrange, select the whole clip, tag the keyword on the whole clip, and then rerange a selection.”
Haven’t tried it yet but sounds like you’re right. Even so, I don’t understand what his problem is. If a PIOP is set, it makes sense that that would be the marked range for key wording (or sub clipping in other NLEs). If you want the entire clip, either select all or unmark I and O. Seems normal to me. Am I missing something?
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David Lawrence
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[Steve Connor] “I just created 3 x 3 minute compound clips, dropped them on the timeline bladed them about 100 times with NO increase in project size at all (I think!)
I now have 400 edits from these clips on the timeline with ZERO change in performance as well”
Sweet!
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David Lawrence
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PIOPS! Yay!!!
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David Lawrence
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[Steve Connor] “Compound clips are now saved in the Event browser!”
Moving them into events may have a side benefit of fixing project bloat. That would be a very good thing.
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David Lawrence
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[David Powell] “I don’t see an extend edit that corresponds to the playhead in real time, dynamic trimming, or a way to get to “roll” without having to use the mouse. It seems to function much like the smart tool in Avid though still needing more steps to complete tasks. “
If you like Avid’s dynamic keyboard trimming, make sure to check out Premiere Pro CS6. I think you’ll be impressed.
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David Lawrence
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[Craig Seeman] “Sans any hard facts about Apple’s marketing strategy my gut informs me (I think that’s what the growling means) that Herb may be right on this.”
Here’s the 2004 Press Release:
https://www.apple.com/pr/library/2004/04/18Apple-Introduces-Motion.html
Key quote:
“Motion opens the door for everyone to create professional-quality motion graphics by eliminating the need for complex timelines and keyframes,” said Rob Schoeben, Apple’s vice president of Applications Marketing. “With its revolutionary technology, breakthrough ease-of-use and low $299 price tag, Motion may do for motion graphics what Final Cut Pro did for non-linear editing—bring the ability to create pro-quality results to the masses.”
Sounds familiar, doesn’t it? I’m with Aindreas on this.
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David Lawrence
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[Steve Connor] “Sadly Aindreas, FCPX is a vision of the future, Adobe have already adopted a version of the skimmer and I’m sure the magnetic timeline is next. Then they’ll add a few layers of chrome and you’ll be forced screaming into the arms of Avid.”
The skimmer is a good thing. Glad to have it in PrP.
And speaking of chrome, I noticed this interesting setting in the Audition preferences:
Adobe lets you turn off the gradients (which are pretty subtle to begin with) if you want a completely flat Audition UI. Go ahead Apple, feel free to copy.
As far as a magnetic timeline in PrP, you could probably count the feature requests on one hand.
_______________________
David Lawrence
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facebook.com/dlawrence
twitter.com/dhl
