[David Fardow]

technically there’s two bosses. they’re partners and I’m the only employee (they’re also brothers, which means I get to listen to family squabbles too). and they both run other businesses on the side, so this one doesn’t get full attention from either of them.

nah no squirrels for power that I’ve found, but one of them does come into the room I’m working in to turn out half the lights to save power money though. I think I’ll ask him to pay for it when I need a new glasses prescription a year sooner because of it.

the macOS on the AE machine is 9.x I think 9.2 but I could be wrong.

the media 100 is on its own dedicated box though, running macOS 3.x I forget exactly what. but it takes up to an hour to make it boot properly because half the time it can’t find the system disc. so we need to turn external HDs on and off repeatedly and try to boot the machine till it takes.

they also have box with mac OSX and final cut pro, but refuse to use it because they think their old version of M100 is better. I’ll bet their final cut pro isn’t top of the line either though, but since it hasn’t been loaded up once since I’ve been working here I wouldn’t know.

I tried to tell one of them that the AE template can’t be made and that the sad thing I have managed to cobble together so far is the best we’re going to get, and it’s not nearly good enough to charge money for, and I can make a better one from scratch more easily than trying to work the template. he told me to put an alias on the desktop and that it would be good enough.

the part that makes me sad, is that they know their stuff is obsolete, but they think by saying it’s at the professional standard level right now they can convince customers (and me) that it really is. I’m not sure if that’s worse than actually believing it’s at a professional level or not.

well time to go back to calling customers and telling them that if they don’t pick up their finished product that’s been sitting around for two years soon we’ll have no choice but to throw it away along with their source material, and no I don’t know how long they have because my boss won’t let me answer those questions for fear I get the answer wrong, and no they can’t talk to him because he’s busy elsewhere watching his contractors build houses. this is of course the same conversations I had with the same customers when I called them 5 months ago to tell them the same thing.

your humor has brightened my day and I hope I’ve given you something of a smile too. thanks for the help.

[David Fardow]

yes, that tutorial is a good one. most of it works, except for one minor part that I can bypass without losing much, and the part where you copy the effects settings of one layer to multiple layers at once (or if there is an option for that it’s not the same as the one used in the tutorial.) as it is once I get one layer set up I need to paste the effects settings manually onto each subsequent photo, which is alright for a small slideshow, but if I get up over about 50 it gets tedious.

thanks for letting me know the template is a pipe dream. I’ve been trying to make a project file where the media can be swapped out, but unless the customer has the exact same number of photos as the original with the exact same file names and extensions and dimensions then work still needs to be done in the project file after media swapping. I’ve made photoshop batch commands to deal with most of it, but the number of photos really can’t be fixxed that way clearly I’ve had little success.

It just means he’ll need to overlap the new employee with me for a day or two so that I can teach them how to do the same thing. (as well as how to use the Media100 version 2.6 oh the fun)

I thank you for the sense of humor though, it’s definitely appreciated.