Dave,
For sure man, so generally how a project will work is, I’ll get a song, VO, and a script. From there, I lay the audio track down and make a couple simple cuts as needed to line up portions of the audio with animations I’m creating, nothing crazy, just a couple cuts and will move the audio up and down the timeline as needed, then, I’ll do the same with the VO if I need some space in between breaths, etc.
After the animation is done and clients have approved the piece, we’ll have the audio mixed.
Before the sound studio would just take the original audio files from them and reposition them on their end as they were in my final video, but in this instance, the audio place requested an OMF with the audio files in place as they were in my timeline.
I’ve been doing this for 10 years and never really had to deal with audio, as I’m mostly a designer/animator so it definitely felt like it was a very bizarre way to do it, but looking online didn’t really offer any other solutions and this is just kind of the one I came up with.
So I’m pretty much asking, how do you other guys do it?
daviddodge.co