David Cherniack
Forum Replies Created
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[Chris Harlan] “is there any way to get rid of those 6 channels in that show up on the clips? I know that they are harmless, but they are distracting and take up real estate?”
I’m afraid that I can’t completely grasp what you’re referring to. You shouldn’t have 6 channels per clip in the timeline unless you’ve brought your audio in as 5.1.
David
AllinOneFilms.com -
[Chris Harlan] ” A) do you know if I can keyframe a plug-in that I drop in on the mixer?”
Not on the track level as far as I know. Plugins can certainly be keyframed on the clip level if their parameters are exposed (most are).
[Chris Harlan] ” B) Is there any way I’m missing to change the channel output of a track to multichannel from stereo once the track is created?”
When you create the timeline creat a master multitrack (up to 16). Then your stereo tracks can be assigned in pairs to your output.
David
AllinOneFilms.com -
[Chris Harlan] “Things I’d like to see: More flexible Sends, Plugin implementation at track level, Plugin implementation on the mixer,”
Plugins can be added on track level in the mixer. In the upper part of each strip you can add about 20, I think. The plugins area may still have a drop down switch on the left side of the mixer. (Mine are always dropped down). Adobe has licensed a basic set of VSTs. Third party 64 bit VSTs that work with Pr are hard to find but those that work, work well. I’ve mixed whole documentaries completely within Pr CS5+.
@David Lawrence. Audition is not yet dynamic linked. You can render a timeline clip and send it to Audition and If you save it in Audition it’s updated in Premiere.
David
AllinOneFilms.com -
Yup, bad karma sucks. On the bright side there’s always your next life. And just think, this time around you coulda been born in a small village in Lower Silesia and never known another kind of windows than your neighbours new outhouse door, let alone that an apple wasn’t only that red fruit you help yourself to from his tree when he’s asleep.
Count your blessings, Jeremy. The world is wide. Window only pains in the mind.
David
AllinOneFilms.com -
Personally I’d prefer a 690 which will blow the socks of of any M series chip and render with both GPUs in AE and soon, I expect, Premiere. ‘Course the MP doesn’t have any slots and TB at 4X PCIe is not nearly fast enough for my needs.
David
AllinOneFilms.com -
Hey Jeremy, I just heard the 600 series does support up to 4 displays. I assume that’s also true of the 650M.
David
AllinOneFilms.com -
[Jeremy Garchow] “Perhaps the hdmi is running off of the integrated die.”
My guess: On the three external monitors it’s the 2nd spanned display (the Tb’s are its clones) because, as you say, thre’s no desktop icons.
David
AllinOneFilms.com -
[Jeremy Garchow] “The comments seem to lead to discrete displays, and there’s this: Moving images and media didn’t create any lag and we were able to play video on all four displays simultaneously.”
You can also read that as cloned. The 650M would have to support 4 spanned displays. I don’t think it does.
David
AllinOneFilms.com -
uhh…note the image is the same on all 4 screens…ie cloned. I’d be impressed with its usefulness if it showed the desktop spanning all four. Of course if you have clients in 4 different rooms it makes sense.
David
AllinOneFilms.com -
[Walter Soyka] “Yes, the good news is that we can replace everything for HFR HD, right before we replace it all again for 4K!”
Are we stopping at 4k? I think it may be a pit stop for non-broadcast, computer displays. Broadcast, and broadcast panels could leapfrog to 8k. That seems to be where NHK is experimenting.
David
AllinOneFilms.com