Thanks Andrew.
[Andrew Wilson] “You should set your sequence to match the settings coming out of after effects which is 1920×1080 square pixels. “
So I thought that was the first thing I tried to do and it didn’t work. Now I tried it again and of course it works. Maybe I clumsily chose the wrong PAR or something the first time…
Now, this means there’s no need for me to do the whole anamorphic pixel shifting to 1440×1080 right? I just match my sequence to the original footage and export also that way?
And when would I need to use this HD anamorphic way of editing? What is the practical application of it?
Also, I am working with some footage trimmed down to half of its size (to 960×540 sqr. pixel) to light the weight for FCP, just to use it as a reference for some audio adjustments. Later on I plan on importing the original 1920×1080 footage. The thing is I didn’t know the size of this smaller file at first cause the person who gave it to me didn’t tell me. So, I dropped it in my FCP sequence set at 1440×1080 with its right HD 1440×1080 PAR. (Now I know I’m changing the whole thing back to 1920×1080 sqr. But I just would like to understand)
My question is: Even though its a smaller size, why does it look alright at 1440×1080? It seems to fill the whole canvas with no distortion. This got me all confused now.
I truly appreciate your time on this. Thanks!