If you were writing and producing a rock opera, wouldn’t you want a virtuoso guitarist thrashing out the score? Why do that yourself when it will never be as good as the virtuoso? Now, imagine playing the guitar yourself in the opera, as well as every other insturment, how good would it be? It’s taking on too much, isn’t it?
Sure you can buy that guitar, or a camera in this case, but is it worth it? It takes years to become a great DP, it’s as hard as becoming a classical musician. Why not get someone really talented to DP the film? You will find someone if you look.
I would suggest you focus on building a great team around you that includes an experienced DP, Line Producer, Soundperson, and Editor. Really good actors aren’t a bad idea either and they can be harder to find then you think.
Writing the story, which is the most important thing, great acting, and casting are what will make a film a success more than anything else.
If you want to write and direct films, don’t get caught up in pondering about technology or equipment. You are much better off taking Robert Mckee’s Story class, and a directling workshop.
We’re at a point where anybody can afford a non-linear editor and a camrera. So what? That does not make you a filmmaker. You don’t need any gear to be a great filmmaker. What you need to do is develop your talent and you invest in your abilities. Gear can always be rented or a crew person will own it and include the item with their services.
Unless you want to be DP specifically, focusing on buying a camera is a distraction from the really hard stuff that you must face which is writing, taking creative risks, and putting yourself out there. Don’t waste your time.
Best of Luck,
David Dessel
Editor, The Untold Story of Emmett Louis Till
In Theaters October 2005
Distributed by ThinkFilm