well i did not ask for an opinion on how bad an idea it is of the director to start shooting lots of aditional footage with a stills camera on a film that was meant to be shot on the EX1 but just wanted to know if someone knew how to make the best of what the editor got….
So if anyone has got a helping idea i would be very glad. Thanks a lot.
PS Besides the point that some of the footage we got with the 5D would not have been possible with the EX1. No matter how much you strip it down it will never be as low profile as the 5d stills camera.
Malte Rosenfeld
d.o.p
s i n g l e s h o t f i l m s