[Willie Bobo]

Hey Makin!

Thanks so much for getting back!! I actually stumbled on to a extremely obvious oversight of mine about this subject. I was waiting for a piece of software or hardware to make this solution for me but its so obvious….. now.

– Literally just drop LTC generated audio clip into any video editing software, this site generates up to a 90min clip
https://elteesee.pehrhovey.net or generate your own and record it somewhere.

– put it on a channel of its own and output to a submix that doesn’t route to speakers (obviously)

– use this tool: https://figure53.com/lockstep/ on the chase/slave computer

– set correct MTC input on DAW and WHAM!!!! super easy setup.

-Mult this submit out to as many computers or devices you need to chase the timeline!

Obviously it doesn’t let you mess with anything on the slave computers once they are externally synced. But OMG…. I have been trying to stupidly solve this issue for what feels like years. But probably just a really long week.

Thanks for your post that is a solid setup! But since I don’t actually need nonstop clock generated the audio file method will work perfectly for me!

SO PUMPED. I can now mix, color grade, edit, final mix, deliver all with out bouncing a single stem or exporting h264 ever again.

BOO YA

MODE

[Willie Bobo]

Hey Mike!

I’ve desperately been trying to solve this exact problem, getting LTC or MMC, or MTC out of resolve to trigger the playback and track with the timeline of Cubase or ProTools. And the exact opposite configuration getting Cubase or ProTools to output MMC or MTC (thats easy) to Resolve as LTC to follow the timeline of the audio project.

Have you found a solution for this yet?

Thanks much!

Danny