Chris Wright
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Audio Coin
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COW Coin
Forum Replies Created
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I couldn’t truly test a key on your sample because it’s only 500 pixels, but I do have a few suggestions.
()do you have primatte 4.0 or later?
()use more core garbage mattes that way you can use fine tuning button without fear of damage
()rely less on strinking mattes, and more on inward defocus. strinking directly deletes detail.
https://technicolorsoftware.hostzi.com/
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“no one had a lot of detail.”
You could play with the channel-arithmetic- block below effect that compresses colors to basic 8 bit colors, etc.https://technicolorsoftware.hostzi.com/
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this tutorial will show you how you can slow your footage down to 50% without interpolating the frames between.
https://maltaannon.com/articles/after-effects/slow-motion/
https://technicolorsoftware.hostzi.com/
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You could always use fourcc reader to apply a older fourcc code to the codec itself that way all the client’s AE would think it was a different codec but the gamma is interpreted correct.
https://technicolorsoftware.hostzi.com/
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There is a way to force AE to interpret certain codec’s gamma flags correctly according to their fourcc tab.
C:\Documents and Settings\name\Application Data\Adobe\Common\MediaCoreQTGammaRulesCS4.xml
https://technicolorsoftware.hostzi.com/
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perhaps a simple slider attached to the wiggle expression then just keyframe the slider on and off.
https://technicolorsoftware.hostzi.com/
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Your whole premise lies on the fact that the TV gimic of 120 hz, 300 hz etc. makes (example. football games look better.) This is just a gimic. The real and only method that counts, besides a good uprezing, is the adaptive motion algorithm that reduces judder swish pans in DVD’s, which in the newer models, you can turn on and off. Our eyes can only see up to 60-70hz or 60-70fps. Try outputting a 100 fps file and see if you can see a difference. Now if you’re still a go, read on…
I think you mean 25i which is 50 fields/sec. not 50i. Now if you want to convert the 50 fields/sec to 50 frames/sec render fields off, just interpret fields on, and drop the 25i into a 50fps comp and AE will automatically do a no interpolation stretch and turn each field into a frame. Its a good method for motion tracking and rotoscoping, but not for greenscreening.
You said,
“So.. concluding…. If you shoot in 25p is better than to interpolate 50i.. but if you shoot in 50i it should be much better to interpolate at 50p than to do it at 25p.”25p is better than interpolate 50i is a backwards statement. If according to your premise you want smoothness, you would actually say, “”25i is better than 25p because you have smoother motion and more data.
You are right though about interpolating at 50p is better than than 25p. to get to 100 fields/sec… if that were usefull or neccessary…
https://technicolorsoftware.hostzi.com/
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hit ‘s’ that brings up scale, then right click scale, units-pixels.
https://technicolorsoftware.hostzi.com/
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Here’s a short list, but you can skip all this and just use Adobe’s dynamic link or proxies.
-free codecs
-4:4:4 8 bit
quicktime animation
quicktime jpeg2000
uncompressed non RLE-image sequence
tiff lzw off millions 8 bit or trillions 16bit
PSD millions 8 bit or trillions 16bit-buy
4:4:4
16 bit
Sheer Codec
Cineform
4:2:2
Mainconcept codec
Blackmagichttps://technicolorsoftware.hostzi.com/