[Chris Wright]

check for video card recall for that particular model. the older video cards have to be recalled.

[Chris Wright]

render out the stabilized clips. that data is actually stored in the project file. also, try using lumetri as adjustment layers and if not possible, then use smaller sequences. you can usually re-import a file into a new sequence to recover files.

[Chris Wright]

2015.4 has a memory issue, i’d stick with .3 until they fix it.
.2 is the most stable and still works with speedgrade although it doesn’t have the secondary hue feature.

also, try refreshing your plugin cache with alt+shift
and make sure you have permissions assigned to adobe folders.

https://blogs.adobe.com/kevinmonahan/2014/09/10/premiere-pro-cc-freezing-on-startup-or-crashing-while-working-mac-os-x-10-9-and-later/

[Chris Wright]

i just clicked browse to my desktop. i suppose you could try adding it to the adobe folder LUTs > Technical.

[Chris Wright]

you can’t decide what to do until you decide how you want it to look. there are many ways to handle interlaced.

1. leave interlaced and supported playback interlaced systems. you won’t see lines. motion will stay fluid
2. deinterlace will also slow temporally the information(ex. 29i to 29p) via discard, blend, interpolate(motion compensation)
3. double frame to fields bob, progressive scan etc.

[Chris Wright]

in lumetri color as lut in premiere

[Chris Wright]

add this to media encoder as final post step. it will look wrong until you upload it to youtube.

64 cube iridas lut for burning in darker 16-235 from 0-255 for youtube upload. you post darken image, then youtube re-lightens again.

10598_fixmyyoutube.cube.zip

[Chris Wright]

https://forums.creativecow.net/thread/394/32#35

[Chris Wright]

why is it that no video talk about overall hue angle? you need to be able to adjust hue globally to line up white balance in the scopes on the skin tone line. no video even touches this…and its baaassiiccc.
2015.2 had fast color corrector hue and 2015.4 had a global hue one but they removed that “update”. anyone?

if I have many different shots that don’t match, I neutralize everything to the scopes first. This way I’m not doing eyeball replicative fading from shot to shot or trying to match shots to each other. After all shots are neutralized, I plop a final creative grade in an adjustment layer, and bam! I’m done. No clip matching whatsoever!

neutralize clips by scopes only:
https://forums.creativecow.net/thread/394/32#35

[Chris Wright]

best honest advice, buy a Snell Alchemist OD. or find someone who owns a alchemist or teranex converter. anything else will have artifacts.