[Christopher Hana]

It must be something that has to do with the GPU maybe? Hmm… Maybe you should try using only the Quadro see if it comes up again?
Hopefully we can some info on this.

This is where I put some sort of witty sig, right?

[Christopher Hana]

Well the original footage is around 12 minutes in length and 2 gigabytes in size. o.o so uploading it is a bit difficult.
So I’ve gone and trimmed down the original sized footage in premiere and uploaded it as an mov.

https://www.mediafire.com/?k5suykmlrgqegz1

This is where I put some sort of witty sig, right?

[Christopher Hana]

Well the original footage is around 12 minutes in length and 2 gigabytes in size. o.o so uploading it is a bit difficult.
So I’ve gone and trimmed down the original sized footage in premiere and uploaded it as an mov.

https://www.mediafire.com/?k5suykmlrgqegz1

This is where I put some sort of witty sig, right?

[Christopher Hana]

I have this issue as well. So far I don’t know how to get rid of it but you can workaround it.

First off check this tutorial from 3:24 to 6:10.https://youtu.be/3iF3dbvVD_g?hd=1&t=3m24s

So after setting the keyframes to initiate twixtor to the full on slow mo, you have to click the output of the twixtor panel to “twixtored output”. Next you have to go forward in your timeline to place when you would like to ramp of the slow-mo speed.

so really all you have to do is manually render a few frames and place your keyframes as normal. But remember that you will have to experiment with the placement of the keyframes in order to get them just right.
Hopefully there is a solution for this.

This is where I put some sort of witty sig, right?

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[Christopher Hana]

I have this issue as well. So far I don’t know how to get rid of it but you can workaround it.

First off check this tutorial from 3:24 to 6:10.https://youtu.be/3iF3dbvVD_g?hd=1&t=3m24s

So after setting the keyframes to initiate twixtor to the full on slow mo, you have to click the output of the twixtor panel to “twixtored output”. Next you have to go forward in your timeline to place when you would like to ramp of the slow-mo speed.

so really all you have to do is manually render a few frames and place your keyframes as normal. But remember that you will have to experiment with the placement of the keyframes in order to get them just right.
Hopefully there is a solution for this.

This is where I put some sort of witty sig, right?

Some contents or functionalities here are not available due to your cookie preferences!

This happens because the functionality/content marked as “Google Youtube” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.

[Christopher Hana]

Sorry for not responding for a while >.> I went on vacation for almost two weeks.

Anyways, after following your instructions of rotoscoping in another comp and “precomposing” it, I’ve come across a few “problems”.
after adding the pre-comp to the output comp that twixtor is in, twixtor seems to not add the alpha information that is given. It doesn’t change in anyway whatsoever. Even if I change the FG1 matte to none, or the “precomped” alpha layer it still doesn’t change.

So I’m thinking to myself, “Well if it’s not being picked up but the layer is a good roto(I think) then it must have something to do with the layer in the timeline in conjunction to the time placement of the twixtor layer.
So What I did was tick the twixtor layer to show only the source footage, move my “precomped” alpha layer in the timeline to match up with the source footage. Now I set the twixtor layer to show the “twixtored output” so we can see if it’s changed at all.

after doing that I finally get something different happening, but now it looks like this(A picture is a thousand words, right?).
I run a dual screen by the way.

So as you can see, it looks worse than a professional boxers face after a 13 round fight. Now your advice did help me to initiate the matte FG1 to be used in in twixtor, but now I’m completely stumped on how to fix this “issue”.

Of course if you’d like to check my project – https://www.mediafire.com/?1dz1bcmqbypqdtg
And the footage – https://www.mediafire.com/?is37vuxs8vt5ur4

This is where I put some sort of witty sig, right?

[Christopher Hana]

Sorry for not responding for a while >.> I went on vacation for almost two weeks.

Anyways, after following your instructions of rotoscoping in another comp and “precomposing” it, I’ve come across a few “problems”.
after adding the pre-comp to the output comp that twixtor is in, twixtor seems to not add the alpha information that is given. It doesn’t change in anyway whatsoever. Even if I change the FG1 matte to none, or the “precomped” alpha layer it still doesn’t change.

So I’m thinking to myself, “Well if it’s not being picked up but the layer is a good roto(I think) then it must have something to do with the layer in the timeline in conjunction to the time placement of the twixtor layer.
So What I did was tick the twixtor layer to show only the source footage, move my “precomped” alpha layer in the timeline to match up with the source footage. Now I set the twixtor layer to show the “twixtored output” so we can see if it’s changed at all.

after doing that I finally get something different happening, but now it looks like this(A picture is a thousand words, right?).
I run a dual screen by the way.

So as you can see, it looks worse than a professional boxers face after a 13 round fight. Now your advice did help me to initiate the matte FG1 to be used in in twixtor, but now I’m completely stumped on how to fix this “issue”.

Of course if you’d like to check my project – https://www.mediafire.com/?1dz1bcmqbypqdtg
And the footage – https://www.mediafire.com/?is37vuxs8vt5ur4

This is where I put some sort of witty sig, right?