I understand that PSF is a manufacturer’s method of making a cheaper card by ingesting and processing the video using 2 fields with the same timestamp versus true interlaced where the fields have different timestamps. The Kona3 control panel clearly states that when a 1080PSF signal is selected as the input, the framebuffer’s primary and secondary outputs cannot select 1080P as an output result. That said, software on my PC capture rigs changes the video from PSF to P on the fly all the time and my automated compression software reads it just fine on a Windows-generated QT file using DNxHD. Granted Avid’s codec has it’s own progressive/PSF handling versus ProRes’. I’ve tried to get this one vendor of mine on DNx, but they won’t have it. They will only deliver FCP-captured ProRes files to us because of it’s realtime capture ability, so I’m trying to work with them on this. That is the why I’m doing this.
Thanks for your help if have a way to do this. I’m also going to try Jeremy’s method with them as well.
Chris.