Steve –
Being a total rookie, can I ask what might be a really dumb question? Do I still get “penalized” in some ways for using HDV, even when I captured into final cut as ProRes using Apple’s HDV to ProRes method talked about here on the cow?
I ask this because – The other day I capture out of my HDMI port into my machine using a Matrox mx02 mini as ProRes and seemed to be able to get away with a lot more filters and effects before I really needed to render.
My understanding was if I bring HDV into FCP has ProRes what I am working with is true blue ProRes. Am I wrong? Is there still some kind of limitation aside from the limits of coming from lossy HDV with less color and quality… I guess, I am asking, is it not true ProRes or something?