Forum Replies Created

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  • wow is this really normal? i used to render out 3 hours of footage without any effects applied to it in a half hour. but then again that was standard defenition footage. is there really no faster way? and what if i dont like the outcome i wil have to render again. aw man this rendering stuff is a drag.

  • alright. here goes. from sin city and the spirit i woul like to know effects like the color correction, the color isolation. from the matrix i would like to know the slow motion effects, the take of and flying itself. from speed racer: the photographic like transitions, the crowds and races them selfes amd also the lens flairs. i still dont quite get how to do the obscuration and the tracking in video footage.i only saw tutorials on how to do it in motion graphics. the rest of the effects i did describe in my post.

    i use the adobe master collection, 3ds max, maya, redgiant plugins, video copilot tools, revision fx, etc

  • i mean wich is better for burning. adobe encore (dvd authoring software in the adobe creative suite) or ner vision (dvd authoring software in the nero 10 suite)? the reason i use nero a lot is because of the HQ option wich reduces the duration of a standard dvd (2 hours) to 1 hour so the transcoding proces can use less compression. so was just wondering wich would give a better output.

  • alright the thanx for al the advice. but i still have one question. wich would you reccomend, adobe encore or nero? i used nero because it has the HQ option wich i dont see in encore.

  • so i was right after all. i tough he might be right because sometimes if you scale a picture or footage down in size it looks a bit sharper. does adobe encoder do the same when compressing hd to sd? and yes i do the editing in premiere pro and everything else (color grading, visual effects etc.) in after effects.

  • Cherlique Lilienthal

    March 17, 2011 at 10:19 pm in reply to: HDV split vs adobe premier

    oke thank you so its windows explorer that reads it like that. thank goodness. now i still would like to know which you feel is better for the best quality footage capture. most find that hdv split is better because it captures with less or no artifacts is that true?

  • Cherlique Lilienthal

    March 14, 2011 at 3:19 am in reply to: 24p native

    i dont think this is an mpeg problem, i think its that 24p native thing in programs non linear editing software like premiere and final cut you dont have to do a thing for it to playback right but its compositing programs like AE that have trouble decoding the 29.92 1440*1080 wrapper. i only wanted to know if i am doing it right. if you have the time google the hv40 24p native mode.from what i understand its diffrent from the original 24p mode.

  • Cherlique Lilienthal

    March 13, 2011 at 7:50 pm in reply to: 24p native

    thanx for the reply but after effects doesnt interpert the footage automaticly. because of the 24p native function it wraps the 24p in 60i. so i have to interpert and guess 3:4 pulldown that takes care of the framerate but the aspect ratio becomes 1:33 or 1440 * 1920 and that mekes the footage appear streched changing to square pixel also takes car of that but the frame rate still doesnt feel right in the comp settings. after interperting should i leave the comp frame rate at 29.97 or change to 24 or 23.976? i also noticed the fields so i did remove that

  • Cherlique Lilienthal

    January 16, 2011 at 4:39 am in reply to: Why does my dvd freeze?

    oke thanx, but isnt it usually a bad idea to compress directly to such small formats?

  • thank you very much for the help i found the workflow its like im back in cs3 or 4

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