[Chelsea Knight]

Thank you so much! I will try this.

[Chelsea Knight]

Also, I’ve checked the original files with the reverse telecined files and they are much slower, 2 seconds difference for each 10 seconds, approximately. But when I go to choose “reverse telecine” in the compressor options, it blanks out my option to choose “100 % of source” even though it looks like it’s checked anyhow. So I’m not sure what I’m doing wrong.

[Chelsea Knight]

Actually, I just checked, and I did indeed reverse telecine it at 100% of source duration. So I don’t know what’s going on.

[Chelsea Knight]

Actually I think I turned off 100% of source because I thought it meant size, i.e. 1920×1080 vs. 1440×1080, so that could be it. It’s way off, i.e. when I start in sync with two clips shot with the two cameras, it goes out of sync almost immediately, like WAY out of sync, and the reverse telecined footage is sort of too fluid and slow. But when I tried just speeding the footage up a little to see, it made the person’s voice sound high but it was STILL slower. I find that very strange.

I’ll try with 100% of source checked and see how it goes.

Thank you.

[Chelsea Knight]

I used compressor. Usually I use PRORES but the conversion was making gigantic files, so I just used compressor with an HDV24P setting and “reverse telecine” on frame controls. Everything seemed to come out looking fine, I dropped it in my timeline in FCP and it is 23.98 fps. Should I go back and prores process everything? The files just came out way too big no matter what settings I put in.

Thanks.