Replies – Forums – Caio Simbula

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Caio Simbula
November 4, 2017 at 6:49 pm in reply to: Consumer HDR TVs

Thanks for your input Glenn. Your personal experience between low-end and high-end was exactly the type of info I was looking for. I smarted up and didn’t buy it.

Are you using your hi-end Sony as a client monitor? I know I should probably buy a proper monitor like a Flanders.

Does anyone on this forum have any experience with either the Atomos Sumo monitors or the larger SmallHD monitors? Both brands claim that they can display HDR.

I’ve seen that people will hook up LG computer monitors (the one that’s supposedly 100% Rec 709 and 97% P3) to a Blackmagic product, but the playback I saw looked horrible, any action would tear across the screen. Calibrated, the color looked phenomenal when the playhead was still, but I hated it’s playback.

Thanks all for any of your experiences that you share with me.

Cheers,
Caio

caioFILM
caiofilm@mac.com
https://web.mac.com/caiofilm
Caio Simbula
June 22, 2014 at 3:44 am in reply to: Link video and audio in sequence

Thanks for your response. It was scanned with no ALE or log files, it was 1600 ft. of super16mm in one prores file. Granted it was due to my budget, Fotokem does offer all of those services.

Granted I will have to sync by marking IN points, it’s very ironic because I had a time-code slate on set, and the audio was jam-synced to the slate, with video I would have jam-synced the camera also. I’m not familiar with how the ALE or log files work, is that something that would be on Avid tutorials? Or is that more specialized? I never see any references to film workflows on the tutorials, not Lynda.com anyhow.

Anyway thanks for the manual instructions, time to get to work.

Cheers.

caioFILM
caiofilm@mac.com
https://web.mac.com/caiofilm
Caio Simbula
June 20, 2014 at 6:24 am in reply to: Link video and audio in sequence

So how do you sync telecined film footage to double-system audio in a film-based workflow? It’s really easy in Premiere, and FCP7, but I couldn’t figure out how to subclip my footage (breaking up all the takes from the beginning of the slate to the end of the shot) and then syncing the audio recorded onto a Sound Devices. What’s the indie filmmaker workflow? I understand that higher budget films have the lab sync up the audio to the telecined film, but how’s it done otherwise?
Caio Simbula
February 6, 2012 at 7:57 pm in reply to: 9.2 Beta 1 driver – No Joy

I am experiencing the same issues with an Intensity Pro installed in a MacPro 1,1 runing OS 10.7.3.

caioFILM
caiofilm@mac.com
https://web.mac.com/caiofilm
Caio Simbula
October 19, 2009 at 2:05 am in reply to: Intensity Pro Problem

Which version of ProTools are you using? Anything before vers. 8 will not work through any video card, will only work through Firewire DV video.

caioFILM
caiofilm@mac.com
https://web.mac.com/caiofilm
Caio Simbula
September 14, 2009 at 8:43 am in reply to: No NTSC Color from Intensity Pro

I don’t have Snow Leopard yet, but I did experience the same problem upgrading to FCS3 and updating the BMD software. I went to BMD’s archived software and went back to version 3.2 and everything works the way it did before. So I would see if that version works on Snow Leopard also.

cheers,

caioFILM
caiofilm@mac.com
https://web.mac.com/caiofilm