Byron Pfordte
1
COW Coin
Forum Replies Created
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Hey Michael-
Sorry I’m just now replying. I got together with the editor that is using the graphics I send him and his settings were different than mine. Your initial inclination was correct. He is importing 601/709. Importing RGB fixed the problem.
Needless to say, I feel like an idiot for not checking his settings against mine. Thanks for all the help, and I’ll try to not waste your time in the future.
Cheers!
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Hey Michael-
Sorry I’m just now replying. I have not tried that. Do you mean AMA linking to the exported graphic file? If so, I’ve not done that – didn’t know you could do that. I’ll give it a try and share what I find.
As a side note, we are switching from a Final Cut/Premiere Pro house to an Avid house and I’m having to re-familiarize myself with Avid after about 4 years away. Please bear with me and thanks for your help.
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Graphics are imported with RGB. I’m baffled. In Color Finesse everything is good on the scopes. I export, and then import into Media Composer and it’s hot. I know I can fix this with the Safe Color Limiter, but why should I have to? Am I correct that AE cannot export more than 100 IRE? If I am, then why would it be blown out in Media Composer?
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Video is imported as MXF off of P2. All graphics are imported quicktime with animation compression.
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Video is imported as MXF off of P2. All graphics are imported quicktime with animation compression.