[Butch Mcdonald]

Hi, I have had similar problems and am currently researching in spare time to sort them out. As for the burning… after creating an ISO file to my hard drive I use IMGBURN which is free off the net and I find it very stable. I do it this way because I have had a few problems using Encore to complete the burn.
Cheers

Helping others gives you good cowma.

[Butch Mcdonald]

Without a doubt Keylight is the way to go.
I have achieved excellent results with keys that would normally bring tears to your eyes.
I had a green screen studio full of talent with fluffy blonde hair and frilly costumes jumping around a bunch of poorly lit masking props. It was the key from hell to say the least but it was shot on Dig Beta SD so that was a help.
Keylights spill suspression, matte and edge handling is the best I’ve seen and when used correctly with AEs matte chocker you can achieve seamless results.
When keying DV footage you need to be aware of compression artifacting (little blocky bits) that come into play when the keyer is on its edge. Learning all of Keylights functions thoroughly and practicing hard will teach you not to over use the controls and get great results with any key. It’s all in the algorithms (clever stuff) I think.
I have the Adobe collection and Keylight was bundled with it, I’m not sure on the cost of the individual unit but well worth it in my books.
Cheers
Butch

[Butch Mcdonald]

Thanks alot Norman, much appreciated.
Cheers