Replies – Forums – Bryan Gaynor

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Bryan Gaynor
February 16, 2010 at 5:25 pm in reply to: HVX200, 1080i/24p imports as 1080p30 to FCP, Reverse Telecine doese not work

I’m having the same issue- my cinematographer shot 1080i 24p (not 24pA) and the footage comes into FCP as 1080p 30p which you’re saying is right, but it can’t be right- the footage is all interlaced and gross. I need to delivery a full res to BRAVO this afternoon, but I can’t figure out how to make the footage look decent. What should I do?!?
Thanks,
B
Bryan Gaynor
February 13, 2010 at 5:12 pm in reply to: importing RED anamorphic 2.35:1

I’m still struggling with this and I have to show footage to a client this weekend- Should I be using REDCINE? Can anybody point me in the right direction?
Bryan Gaynor
February 12, 2010 at 11:20 pm in reply to: importing RED anamorphic 2.35:1

Ok, so I downloaded REDCINE (I have NO idea how to use this program), dragged all my footage into Bin 1, double clicked on one of the clips, clicked Anamorphic in one of the pull down menus- it looks right. Now, how the heck do I export all my footage with the correct settings?
Bryan Gaynor
February 12, 2010 at 9:44 pm in reply to: importing RED anamorphic 2.35:1

Bear with me- I’ve worked with RED footage quite a bit, but have never shot anamorphic, and have never used RED Tools. What is RED Tools? Are you talking about RED Alert! or REDCine? I can’t find anything called RED Tools. How do I make a 2k Prores4444 file? I know I need 1920×1080 file, but how do I get that? How exactly do I get my footage in the right aspect ratio in the right file?
Bryan Gaynor
February 12, 2010 at 9:19 pm in reply to: importing RED anamorphic 2.35:1

I’m importing through FCP log & transfer- 2816×2304 ProRes422(HQ)
Shot Primo’s- definitely 2.35
Output: HD CAM eventually i would assume. It’s for an HBO show.
Bryan Gaynor
February 12, 2010 at 9:10 pm in reply to: importing RED anamorphic 2.35:1

My apologies for not being detailed on my process- As I just posted, I’m importing through FCP log & transfer- 2816×2304 ProRes422(HQ). We shot on primo’s. Definitely shot 2.35-
You asked about output- probably HD CAM eventually, I guess. I haven’t really gotten that far. The piece is intended to be part of a TV Show on HBO.
Thanks!
Bryan Gaynor
February 12, 2010 at 9:00 pm in reply to: importing RED anamorphic 2.35:1

I’m importing through FCP log & transfer- 2816×2304 ProRes422(HQ)

I made a 2048×817 sequence, dragged in one of the shots, scaled it down to 73, made the aspect ratio -100, and it looks right, but I’m worried it’s the wrong way to do something like this. Should I be using RED software to import?