[Bruce Alfred]

[gary adcock] “this is the correct capture and aspect ratio for DVCPROHD content from 1080 masters, and it does the same thing for the 720 format also. Contrary to Bob’s comments, there are a number of companies shooting 1080i then using the DVCPROHD compressed format for Post production.”

Gary,
Thanks, but is there a way for me to setup in the Kona or Final Cut so that I can see the image “correctly” in Final Cut and on my external monitor (rather than stretched.)
–Bruce

[Bruce Alfred]

Bob-
If I’m going xlr out of Kona LHe to XLR in to my powered audio monitors — this is balanced to balanced audio…
I’m not an engineer/tech type, so can you tell me why this is no good, and why I’d need an attenuator?
Thanks,
Bruce

[Bob Zelin] ”
please don’t tell me that you have the Kona LHe XLR outputs connected directly to powered speakers with no mixer, or audio attenuator -“