Thanks for the help Jeremy, I’ll give it a shot. Unfortunately I don’t have the hard drive with the 1080i60 sample on me as it’s being used in the field currently, but in looking at it on their monitors when we did the test I know it resolved the artifacting issue. I will try changing the field dominance once I get the 1080i60 sample back, and see if that does the trick while giving me progressive footage.
I had another phone call with the engineer this morning, and he said that in the future if I want true progressive out of this camera I should shoot in 720p. Our deliverable on this stuff is to the web, we are only shooting in HD to future proof the footage, because the clients I work for end up recycling footage from other shows and vendors quite often, and they want to have a standard look when they mix and match footage in a show. That current standard is DVCPRO HD 1080p30.