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If its a DV timeline the Full-screen image size should be 720 x 480 (rectangle pixels) DPI is unimportant.
Have the person creating the images read the quick info at this site:
https://www.kenstone.net/fcp_homepage/basic_ps.html
It explains the basics.
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Bouncing Account needs new email address
November 28, 2005 at 2:30 pm in reply to: Using the correct still image sizeThese reveal all the basics.
https://www.kenstone.net/fcp_homepage/basic_ps.html
https://www.geniusdv.com/photoshop-for-video.php
https://www.geniusdv.com/photoshop%20final%20cut%20pro.php
And since NTSC can’t reproduce the resolution of a computer,
its easily possible to create graphics that a too complex to read-well on video.Gaussian Blur is the blur to use to reduce “image buzz”.
Set it to a low number (between .25 to 2.5 is a good start). -
Bouncing Account needs new email address
November 28, 2005 at 1:22 pm in reply to: Backing up tapes with DVD burner?Nope.
The DVD format (standard “video” DVD) uses much more compression than DV.
It would re-compress your DV files to a much smaller (and lossy) size.Consider that an hour of DV is about 13 GB and a MULTI-hour DVD is only 4.7 GB (it can be multi-layered, but still its a highly compressed file).
You want a straight “numbers-to-numbers” clone of the tape if you want it to retain its full quality.
A FireWire between two camcorders or decks is the way to go.
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Bouncing Account needs new email address
November 27, 2005 at 7:05 pm in reply to: digital voice recorderOR…
Just record the audio on a DV camcorder (or whatever format you’re using for the Doco).
It will have timecode and can be saved (with that matching TC) for future use.
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Bouncing Account needs new email address
November 27, 2005 at 6:34 pm in reply to: Marantz Receiver problem[Alex] “It took me a while to locate it, but after about a half-hour poking around with my trusty plastic fork, the sound sprung to life.”
Good.
Many intermittent problems are “mechanical” in nature.
As units get shipped, moved, and jostled… and ambient temperatures cause swelling and contraction, “loose conncetions” can become fairly common.
I have fixed dozens of components over the years by an doing the proverial “internal WIGGLE-search” and “Ribbon cable re-plug”.
A couple of years ago at a Pawn Shop, I found a $1200 INFOCUS video projector that worked intermittently, which I bought for $399.
Brought it home and in 20 minutes of replugging, it worked GREAT.Use it as my home theater video system.
So “putting it back in the trash” my be fine for those uncomfortable with the interior of electonic gear, but if you know something about circuitry and SAFETY, and can utilize a bit of down-time to make some explorations, you might be able to “save the life” of an otherwise “lost” bit of technology (and keep some extra $$$ in your pocket).
The reason I first suggested finding a “HAM operator” to look at it, is that they DO know electronics and many find the challenge of fixing (still viable) gear part of the FUN.
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Bouncing Account needs new email address
November 27, 2005 at 6:19 pm in reply to: Importing a Hollywood movie into FCE[Mick Mueck] “Hopefully nobody here has ever recorded something on their vcr for personal use…”
Not the same thing.
A “backup copy” dub is not “editing”.
Our real problem here is that it is actually counter to the law to duscuss how to “get around” a copy-guard system.
OTOH, if you WERE able to dub the DVD to a VHS “backup” and just happened to pause the VHS deck during the “naughty bits” I don’t know who would complain.
😉
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Bouncing Account needs new email address
November 27, 2005 at 6:12 pm in reply to: Record some audioSeveral ways.
1. Record to a DV tape and import to FCP.
2. Use FCP’s VO tool and record directly in FCP.
3. Record to any Mac audio software and export to FCP.
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I copied the following list from the COW and use it for reference.
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Name: David Slater
Date: Dec 28, 2004 at 5:00 am
Subject: Re: TRANSITIONS – NEW Creative transitions — NEW filtersThere are FCP listings on toolfarm.com and pluginz.com.
There are loads of plugins and extras for FCP. Most AE plugins that work in AE3 will work in FCP. NONE of the built in AE plugins work in FCP
https://www.nattress.com
https://www.kafwang.com/EUREKA/EurekaMain.html
https://www.chv-plugins.com/index.html
https://www.riverrockstudios.com/riverrock/pages/FCP.html
https://www.redgiantsoftware.com/
https://www.borisfx.com/
https://www.buena.com/
https://www.revisionfx.com/
https://www.virtix.com/fcp/
https://www.lyric.com/fcp-plugins/
https://www.pluginz.com/default.php?from=rlist&genre=6&category=62&type=2
https://www.synthetic-ap.com
https://www.fxscript.org
https://homepage.mac.com/tomhenderson/beziermatte/
https://www.mattias.nu/
https://www.digitalfilmtools.com/55mm-4/55mm.htm
https://www.cgm-online.com/eiperle/cgm_e.html
https://www.joesfilters.com
https://www.dvgarage.com/
https://www.trapcode.com/
https://www.digital-heaven.co.uk/
https://www.genarts.com/download-sapphire-ae-mac.html
https://66.193.230.226/~stib/
https://www.petewarden.com/index.htm
and the editor toolkits from https://www.digitaljuice.com have transitions and alpha wipes
try applying a gradient wipe and drop a grey scale image into the image well
DAVE at Movies Rock in Toronto -
I have been using CHV (and others) effects for at least two years now.
Very nice. -
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November 27, 2005 at 2:06 pm in reply to: Importing Text for Titles[boydmcc] “I’m trying to avoid having to type in the names one at a time.”
What form is the list in NOW?
If it was created in a word processor, you can “Copy-and-Paste” from that into FCP Title 3D or LiveType or…
But one of the fastest ways I can think of to do this is…
In Title 3D:
Create the first one of these.
Make it exactly the style and LENGTH you want each name-clip to be.
Add the Ramp-in (fade-up), “Zoom-in”, and Ramp-down (Fade-out) by using keyframes in the Motion Tab.
Render it, and “check it” to be SURE it is what you want.
When satisfied, drag this completed clip back to the Browser (rename it so you’ll know where it is) then drag it into the Viewer and Edit it, over and over, into a new timeline (until you have the correct number of name-clips that you need).Then, one at a time, click each successive clip back into the Viewer and Copy-and-Paste a new name on each new clip until you’ve remade them all.
Render the timeline.This Copy-and-Paste will take a very long time.
But if you want to treat EACH NAME as an individual effect, “long and complex” is the name of this game.