[Bill Crocker]

Thanks Jeremy. I did see that but was unsure if those track are considered stereo pairs. When turning them off, do I treat them as pairs (for instance turning off lights 5-8 will negate channels 3-4)?

[Bill Crocker]

Hi Noah,

I tried both and it still ends up reverting back to a greyed out 8 every time I connect the deck via firewire for capturing. I am not sure what else to do. I guess I’ll just stick with the 8 for this project and try to figure it out when I have more time.

Thanks for your help.
Bill

[Bill Crocker]

After checking, it seems that when I am in Log and Capture mode, I cannot select how many audio channels to import (it is greyed out) and it is defaulted to 8. Even if I switch deck control to something else besides DVCPro HD Firewire. Any thoughts?

[Bill Crocker]

I am bringing it in over firewire from an AJ-HD1200A. Does this make a difference?

[Bill Crocker]

Yes, thanks. I am getting a deck for an afternoon next week and I’ll test these options out.

Thanks a pantload!!

[Bill Crocker]

How would it compare to the other method you described:

Capture native 720p23.98 and place in a 1080p23.98 timeline and let the Kona LH do the pulldown.

Space will be an issue for me as I am off/onlineing a 26 part 22:10min series.

Thanks for all your help.

[Bill Crocker]

I had this happen to me once when outputing an animation codec timeline. Switched it to 8bit uncompressed, re-rendered and it worked fine. I am still at a loss as to what the problems was. (This was all in SD however)

[Bill Crocker]

We are using DVCPro HD. What is the quality of the output from the decks that do the cross conversion?