[Benson Greene]

I had this problem as well. I have done this before and was successful. However, I did shoot on a Ninja that time. When trying this time, I am also importing to find that Premiere is seeing 29.97.

So, I just took my original clip and imported into Adobe Media Encoder. I changed the frame rate to 59.94 and the field order to Progressive (no fields). I exported that and got pretty smooth footage.

I then imported into Premiere and the clip read 59.94 and played back pretty well. Then, I went rt-clicked on the clip and selected Modify / Interpret Footage and set it to “assume this frame rate” or whatever and set it to 24 fps.

I am pretty sure I used another method last time, but I am not sure. However, this method seemed to work quite well even though it included another step. The end product is pretty smooth.

[Benson Greene]

Thanks all for responses. I will try all of the above. I have worked with Auto Levels and such as an attempt. I can post a clip as well.

https://youtu.be/ZL6rv-FoZ5s

Thanks.

[Benson Greene]

Hey Peter,

I am transitioning as well and finding a similar problem. I’ve done some research and have found that only sequence markers can be extended and commented upon so far. I also found a few threads encouraging users to request this feature on the Adobe site.

As a workaround for some things, I use numbered markers just to reference spots of the media I need. Then, I set the in and out on these markers and create subclips (cmd+U) and label them accordingly. This way, you can still get the benefit of an extended clip marker in FCP as far as adding marked clips to the timeline and such.

BGreene