[Barney Miller]

Thanks Michael. The AAF & the ProRes files both came from the colorist so the reel & source names should be the same, but I’ll double check.

One more question. Does it have to be AMA? Why can’t I import them as Prores HQ fast import? Or will that kill the meta data?

Also, is there any difference between editing ProResHQ via AMA or importing them as ProrResHQ MXF in general? I did a test and there doesn’t seem to be a gamma shift or any other problems, are there? I need to play this down & tweak it before final export & AMA is so clunky. MXF works better editorially, but I want to make sure I”m not downgrading it in anyway by making them MXF files.

Last thing, I can still EXPORT as a ProResHQ after turning them into MXF files by using same as source, correct? It won’t become some weird Avid ProRes file at that point, will it? (My delivery specs are ProRes).

Thanks again.

– b

[Barney Miller]

Thanks Michael. The AAF & the ProRes files both came from the colorist so the reel & source names should be the same, but I’ll double check.

One more question. Does it have to be AMA? Why can’t I import them as Prores HQ fast import? Or will that kill the meta data?

Also, is there any difference between editing ProResHQ via AMA or importing them as ProrResHQ MXF in general? I did a test and there doesn’t seem to be a gamma shift or any other problems, are there? I need to play this down & tweak it before final export & AMA is so clunky. MXF works better editorially, but I want to make sure I”m not downgrading it in anyway by making them MXF files.

Last thing, I can still EXPORT as a ProResHQ after turning them into MXF files by using same as source, correct? It won’t become some weird Avid ProRes file at that point, will it? (My delivery specs are ProRes).

Thanks again.

– b