[Ash Cohan]

Yes, He has Resolve and I have given him the FCP project exactly the way he wanted it which was the RED files on one track and all the Pro Res on the second. I am certain his system has problems even though he is claiming that he works with RED projects all the time.

Thanks again.

[Ash Cohan]

Thanks Ola for your response. I have converted everything to Pro Res 4444 4K except the RED files per my colorist’s request. But his systems cant handle the project and keeps crashing and he blames the project and specifically the mixed timeline which is Pro Res and Red footage. Have you ever worked on a project with Pro Res 4444 and RED footage mixed in your timeline? How about Pro Res, RED and TIFF sequences?
I have consulted a few colorist already and no one has had an issue with the mixed footage timeline in Resolve.
I would like to know about your experience and anyone else who would be kind enough to respond to this post.

Thanks.

[Ash Cohan]

Not a single response in 10 days. Thats amazing.