Anette Ruud andersen
Forum Replies Created
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Hi david,
Thank you for the input and advice. I tend to use h264 a lot. I really think the h264 gives a very nice image. -
Here is my material: 1280×720 – 25p – compressor:(default) xdcam ex 720p25. What is the best setting for colours for my material?
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I am exporting a 4 minute promofilm for use on a webpage. I don’t have any problems with exporting. I get a good quality in material but I want the best colours for my film.
When I am doing simple colour-correction in fcp you would think that when I export it I would get the colours I created. But somehow, the difference, as in shown pictures show that blue turns to purple.
How to make sure what I see is what I get?
I have done research and found great ways to get a good looking webfilm qualitywise, and I like to explore all the options because Id like to know the core of the program.
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The first image is a scr.grab from FTP where the material is colour-corrected. The other image is a scr.grab from apples osx leopard video quickview. My question is why my material are different inside and outside FCP. Shouldnt what I see be what I get if I follow the parameters?
I think the difference in the two images are clear. When I set my colours to ex. blue I don’t want to end up with purple.
Thank you for the thread to the other discussion! -
Right, thank you for the answer!
So, why is there an option to use RGB? -
Thank you for the imput!
I figured it out and got a nice export after all. But it would like to hear other peoples experience with this.
I am just trying to understand why the colours vary so much when I do different exports in fcp. For example if I export as a quicktime with a xdcam ex 720p25 comressor I get the “wrong” colours, as with h.264 and uncompressed 10-bit. But with mpeg-4 or motion jpeg A I get an excelent result colourwise. The film has to be processed in either rgb or yuv anyway, right? I really want to figure this out 🙂