[Andy Stevenson]

John thanks for the link to the Ronford, its a solid looking piece of gear and if you have the time/space to haul around the track it would be great.

Todd thanks for the indepth reply. For me its a crew of two, myself and my sound guy and of course a producer on the edge of meltdownnmost of the time. 🙂

There’s a clip on the Wally Site here which has me interested, showing wacko-speed ramped time lapse of a guy setting it up in 2:30….thinking that at 5 minutes total for setup and breakdown plus 5 minutes shooting to turn a boring shot into something a little more cinematic ie the subject at a desk working would be right on.

https://wallydolly.com/features/dolly-setup

The Micro looks interesting but it’s all joined together a la tent pole style. The fact that you can out down only 3ft of Wally track if you like or 20ft in sections seems to allow a lot of flexibility.

Its like you said though, different horsesnfor different courses.

[Andy Stevenson]

John thanks for the link to the Ronford, its a solid looking piece of gear and if you have the time/space to haul around the track it would be great.

Todd thanks for the indepth reply. For me its a crew of two, myself and my sound guy and of course a producer on the edge of meltdownnmost of the time. 🙂

There’s a clip on the Wally Site here which has me interested, showing wacko-speed ramped time lapse of a guy setting it up in 2:30….thinking that at 5 minutes total for setup and breakdown plus 5 minutes shooting to turn a boring shot into something a little more cinematic ie the subject at a desk working would be right on.

https://wallydolly.com/features/dolly-setup

The Micro looks interesting but it’s all joined together a la tent pole style. The fact that you can out down only 3ft of Wally track if you like or 20ft in sections seems to allow a lot of flexibility.

Its like you said though, different horsesnfor different courses.