Thnks a lot for the replies. I know blue ray is not the format of the future but I think it could be a good option for some foreign festivals and as a screener. Shipping is cheaper and you are a lot less likely to get your package held up in customs. If they don’t send it back you are not losing an expensive HD-CAM tape that may have cost you a chunk of change to get duped or mastered. I think if festival reps see the blue ray they might be a little more inclined to accept the flm. Who knows? There’s always DVD to fall back on, or other hi-res options discussed here. I bit the bullet and bought the LAcie D2.
I have gotten a sens of the best workflow but there are a lot of contradictory threads. It should be interesting. One persistent question is the 24p issue. I shot in “24p mode” on a V1-U and, in the fine cut stage, upresed from hdv 29.97 via compressor conversion to 23.98 Apple Pro-Res 422. I get the vibe that this is good for Blue Ray but I am still in the dark about exactly why and if i even needed to upres in this way. If I am not going to film will i see a difference (I have not yet, although frames have definitely been removed). I get the feeling this ultimately may be moot. Anyway, back to editing.
Best,
Alex